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military also finds its own heroes as Rhodes dons the War Machine armor and is joined by fellow veterans Sam Wilson (The Falcon) and Carol Danvers (Captain Marvel) in the Avengers’ roster. Stark, of course, learns the true meaning of this mortality, first with the shrapnel stuck in his chest at the beginning of Iron Man and with the end of his character’s arc in Avengers: Endgame. And the U.S. War is a deadly business, and for a split second in Iron Man, the story’s comic-book mask falls and the mortality of the enterprise comes to the front. The sequence isn’t a warning that a man in powered armor might drop you out of the sky it’s that a freak accident will. Rhodes’ cover for the incident - a training accident - is painfully on-the-nose when you consider that training accidents kill more U.S. Sure, Tony Stark may turn from weapons dealer to armored peacenik, but it’s no secret that the Defense Department was happy to provide far-reaching production assistance agreements for the first two installments of the trilogy, furnishing Marvel Studios with everything from technical assistance to “production value” - soldiers, vehicles, and locations (see the C-17s at Edwards Air Force Base in Iron Man 2). Indeed, the DoD was more than happy to work with Marvel Studios until the “unreality” of The Avengers induced the Pentagon to halt its cooperation with the cinematic juggernaut (although that didn’t last long - just look at Captain Marvel). military-industrial complex as it is an overt critique. Little has changed in the decades since Stark first donned his suit of armor: as a movie, Iron Man is as much a product of the U.S. I thought it would be fun to take the kind of character that nobody would like, none of our readers would like, and shove him down their throats and make them like him … And he became very popular.” He was a weapons manufacturer, he was providing weapons for the Army, he was rich, he was an industrialist. “So I got a hero who represented that to the hundredth degree.